Michael Fried’s “Why Photography Matters as Art as Never Before”

Why Photography Matters as Art as Never Before

    Fried’s argument seems to come down to is comically simple. It is that a very big photograph in full color, when hung on the wall, is inherently like a painting, or at least has some of the qualities of a painting.This is absurd.

    Em Livros, Teoria & Fotografia, já mencionara este tomo de Michael Fried, que se vê analisado em The Restless Medium, sob outro ponto de vista algo “crítico”.

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